The original starting point for her work came from her emotions, “I would see something negative in the headlines targeting women that enraged me. “It was Covid, I had just started drawing graphically and my feed was full of feminist ideology, often paired with nudity, such as the erotica publication Moanzine. “It was her images of the female form that opened the door for me.” Once 2020 hit, like so many of us, Di was spending her time endlessly scrolling through various platforms, when she encountered a common theme. One of her biggest inspirations is Erica Callado, a watercolour artist that she researched for her A-level project. One of her favourite quotes, by American poet and civil rights activist, Maya Angelou, is: “I’ve been a female for a long time now, it would be stupid not to be on my own team.” ![]() ![]() She was going to regain control, “because us in our normal form, should not inherently be sexual.”ĭi expresses she is a proud feminist, longing for equality for all, regardless of gender. I could back it up too, by saying ‘ha, it’s a social movement, you can’t stop me.’ He completely shot himself in the foot by the end.” It was this encounter that sparked her passion for feminist art, and to dismiss the idea of objectification. With a new sense of confidence, Di felt encouraged “Instead of getting modest nudity of backs, or stylistically covered images, what my art teacher now had was full frontal nudity of breasts. Initially unimpressed with this suggestion, her tutor planted the seed to cover the “Free the Nipple” movement. It was here that the two of them looked over the exam paper together, and her tutor pointed out the option to do a piece on a political or social movement. “My art teacher told me not to, and that the female form is pornography this really riled me.” Understandably so, Di was upset and went to one of her trusted sociology tutors, with no intention to get the art teacher in trouble, “it was purely to vent how I felt.” “All I wanted was to draw naked ladies,” she remembers. ![]() It was during one of her A-level exams, she was given freedom to express herself. “My mum always pushed me to explore what I do and don’t like with my art.” In education, she was able to embellish her gift by taking GCSE Art, and then eventually A-level Art. “I’ve been drawing since I was able to hold a pencil,” she explains. As the daughter of a graphic designer, Di’s artistic gift was rooted in her from the beginning.
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